I shook hands with director Wilbert L. Williams after A Soldier’s Play to congratulate him on such a fine casting job. Lately, I’ve come to appreciate more how critical casting is to the success a production.
For example, veteran actor and Big Easy Theatre Award winner, Harold X. Evans, gives a disquieting performance in the play’s most difficult role, as a black man prejudiced against other black people, especially the “Yah suh, Massah, step-n-fetchit type” (his words). Evans, an army sergeant, is hated by his all-black soldiers, and his murder causes little shock or remorse. Yet, his murder and its investigation are the crux of A Soldier’s Play. Read the rest of this entry »

